'.. imagine a man whom a violent passion, for a woman or for a great idea, shakes up and draws forward. How his world is changed for him! Looking backwards, he feels blind; listening to the side he hears the strangeness like a dull sound empty of meaning. What he is generally aware of he has never yet perceived as so true, so perceptibly close, coloured, resounding, illuminated, as if he is comprehending with all the senses simultaneously. All his estimates of worth are altered and devalued. He is unable any longer to value so many things, because he can hardly feel them any more. He asks himself whether he has been the fool of strange words and strange opinions all this time. He is surprised that his memory turns tirelessly in a circle but is nevertheless too weak and tired just to make a single leap out of this circle. It is the most unjust condition of the world, narrow, thankless with respect to the past, blind to dangers, deaf to warnings, a small living vortex in a dead sea of night and forgetting. Nevertheless this condition—unhistorical, thoroughly anti-historical—is the birthing womb not only of an unjust deed but even more of every just deed. And no artist would achieve his picture, no field marshal his victory, and no people its freedom, without previously having desired and striven for them in that sort of unhistorical condition'...
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